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The dates are finally set for 2013 for Rikk Flohr’s Badlands Photography Workshops. Come spend four nights photographing with us in the amazing Badlands National Park. This year’s workshop dates will be: Spring: May 18-22, 2013 Winter: December 7-11, 2013 If you are looking for a photography workshop...
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When anyone asks me my favorite Draw feature, I say, without hesitation: The PowerClip. Zip over to the Holy Crop! blog and see what the Cropist has to say about the PowerClip tool as an image cropping godsend to the designing photographer. Rikk Flohr © 2011
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Jump over to the Holy Crop! blog for the last week’s Crop-a-day from my stay at Badlands National Park. Watch for two more weeks as (rural internet willing) I continue to post a crop a day. Badlands: One Crop Every Day VIEW SLIDE SHOW DOWNLOAD ALL Rikk Flohr © 2010
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Well, Fleeting Glimpse readers, I have arrived at Badlands for another stay as Artist in Residence. In honor of my stay, I will be running (internet and time dependent) a series of crops over at the Holy Crop! blog. Each day, I will crop one image captured during my 21 days and post it with...
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Jump to the Holy Crop! blog and catch the next issue of ShareCropping as we tackle Lyle Krahn’s Sunset over Flooded Fields. Rikk Flohr – © 2010
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A fresh Crop Shop is up at the Holy Crop! blog. Find out how we dealt with close foliage, high wires, floods and fog to form this image and crop it strongly. Read Sunrise of Vermillion here. Rikk Flohr © 2010
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Don’t you love two exclamation points in the same sentence? The first victim has been chosen at Holy Crop! for the series ShareCropping. See the crop analysis of Steve Shor’s Bluebells in Brussels. Rikk Flohr © 2010
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A new feature column on Holy Crop! …and a call for willing victims! The week of September 20th will see the launch of a new regular feature on Holy Crop! blog. The goal of ShareCropping is to have readers and selected victims share their image with the Cropists at Holy Crop! It is our goal [...]
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Two new articles were published at Holy Crop! blog this week. Every try to crop that panorama to fit an 8×10 frame? We will show you how. Part 1: Letterbox or Leave-it-off explores the dilemma of the design that doesn’t fit the store-bought frame. Part 2: Option 6: Magic – Panorama into 8×10...
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Loyal FGI Readers, here is a recap of recent articles at Rikk’s Holy Crop! blog. Crop In Corel, Go to the Dogs, Anti-crop, Fish-eye and more! New Feature Series: Crop Tools Crop Tools is about my favorite hardware and software tools for all things cropping. This will be a regular series on the Holy Crop...
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Mon, Aug 23 2010
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Filed under: Photography, Image Editing, corel, Software, composition, Shameless Self Promotion, Holy Crop!, PaintShop Photo Pro X3, Isolation, Fish-eye Lens, Content-aware fill
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A new featured article series at the Holy Crop! Blog I started Crop Shop as a means to give photographers and image editors an insight into my thought processes in use when I am cropping an image. Why do I crop? What do I crop? How many crops do I try? There are many techniques [...]
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The Second Article in the series Vertical Leap, was published today at the Holy Crop! Blog. In these two articles, I discuss the theory of the Vertical Panorama crop as well as a practical step-by-step thought process on one of my own images. Take a read today: Article: Vertical Leap Article: Vertical...
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With any image there can exist multiple exceptional crops. This new article on the Holy Crop! blog explores the concept of cropping a single capture several different ways while still yielding an acceptable composition. Rikk takes a single image of a sunrise and crops it...
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Save Time in Software Improve Composition Save Megapixels All by reading the new article at Rikk’s Holy Crop! blog. Crop Rotation: Two Butterflies Rikk Flohr © 2010
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The Holy Crop! blog was busy over the weekend. Two new foundational articles covering the concepts of Portrait and Landscape cropping are now ready for your perusal. Learn when to use each and a little about what each family of crop means to your shooting and your composition. These are the first...