nixblik:
So, the results are perfect for RGB export, and ok for my standard workchain EPS-epstopdf-latex if I format my text as RGB black and use ICC. At least for this printer. The one I want to print the CD covers on may be different, but I guess I'll just have to make some tests there, too.
Yes, the end output device may be set up in ways you can't control. For ex, maybe shop has a Xerox digital laser with a PS driver, but they are using the PCL driver instead, which is unknown to you. FWIW, sending CMYK values down the chain to a pro device with a real PS driver should retain those values FME. If RGB conversions are introduced somewhere later after sending pure CMYK from the design file, this is where shifts can happen FME. I'll be the first to admit I don't have all the answers in this area. This is hard for me to admit - I strive to know almost everything else! LOL :-p
But from mad experiments to get my own projects to come out as expected, I've had to come at this from different angles.
nixblik:Now, obviously you are right with your assumption that the text is rasterized because somewhere in the chain it is not completely black; and I suppose that it is inside the printer driver or the printer itself. Surely these color management problems are old hat for you guys, but I am not a professional... :)
"rasterized" isn't the main issue. Here's why:
1. When people generally think of rasterizing, they think of bitmaps on their page at 300 DPI. This is a raster image. It's comprised of square pixels. Not dots.
But, in your case, the basic issue is that the text is being screened at perhaps 90% black because of conversions, so you are seeing the occasional artifact of that. There are 2 types of screening: FM and AM. We'll leave that for another day. :-)
2. Eventually, all data being printed is rasterized. This shocks many people.... but the purpose of a RIP (raster image processor) is to convert everything to output element data, including vector shapes and fonts. But, it happens with the output resolution set for the output device in the print driver for that unit. Most of the time, the value is set high by default, for ex, 2450 DPI on a Xerox DC-240 I work with. Otherwise setting to lesser amount doesn't use the equipment to it's greatest potential. Many small office laser printers output at 600 DPI. Many older color lasers also use 600 DPI, such as Xerox DC12.
The point: the vector artwork sent comes out sharp and clear because it being rasterized by the RIP at very high resolutions.
A fun thing to try for B/W Laser:
1.determine your laser printer's output resolution.
2. fill a page with paragraph text. print a copy.
3. Convert the text frame to a B/W 1bit bitmap, no dithering, at the resolution found in step 1. For my printer it was 600 DPI. Looks rough in Coreldraw, but print it.
The bitmap file blasted through system with surprising speed, since the driver doesn't need to re-calculate anything. You're giving the printer data on a 1:1 basis. Compare print to result from step 2. Same thing, eh?
The point of this adventure? to show what a RIP is doing when you send it vector artwork.
nixblik: Is there any further advice you can give me based on my test results? I thought about obtaining an ICC profile for the target printer to use during PDF export. Perhaps I could also inquire at the copyshop, but from last time I remember them being very friendly yet not proficient in those nit-picky technical details...
unless they are really curious, just conduct your own tests so you know what works for that equipment.
Jeff Harrison
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